The symptoms started last summer vacation in Colorado. In the car practicing scales, my voice cracked — a common enough for a 14 year-old boy, but never me. The more I sang, the more hoarse my voice became. It was terrifying.
I was 52, had left a good job in marketing to be a jazz singer only a year and a half prior — and now this. As always, I jumped to worst-case scenario and cried on my husband Dave’s shoulder that night. “Will you still love me if I can’t sing?” I half-seriously asked him. More important, I wondered how much I’d love myself if I couldn’t sing.
Googling “vocal problems, hoarseness, perimenopause,” I discovered women often experience a loss, changing or lowering of their voice at mid-life. Opera singers, in particular, age out and quietly retreat from public performance, avoiding the public humiliation — often, only in their forties.
A life-long singer, I had taken my voice for granted, wondering instead if age or looks would be the determining factors in success (heck, even those few extra pounds), all the while not realizing my entire career rested on two tiny vibrating pieces of tissue less than an inch long. Talk about feeling vulnerable.
Of immediate concern, was my rapidly approaching debut at the Lewiston Jazz Festival. How ironic would it be that after years of applying to the festival, my first performance there would be diminished or, God forbid, even cancelled?
The more I researched, gastric reflux (a common malady of menopause) appeared to be the direct cause of my problems. Simply, stomach acids were frying my vocal cords and affecting their ability to vibrate properly and produce sound.
The next morning, I hit the pharmacy and started taking Prilosec – which belongs to a group of drugs called proton pump inhibitors (PPI’s) or acid-reducers. Within days, the vocal cracking stopped. My range returned, and the relief was as big as the surrounding Rockies.
My performance at the Jazz Festival was a success, but vocal problems continued to dog me. Again, I turned to the internet to research my condition. In addition to preventing reflux by not eating large or late-in-the-day meals, modifying a number of habits would keep my voice limber: avoiding caffeine, alcohol and decongestants and raising the head of my bed six inches.
Just how important was it to keep singing? I even gave up my beloved red wine. And, as averse as I am to medication, hormone replacement therapy soon joined my medication regime.
Finally, having exhausted self-diagnosing, I visited an otolaryngologist. He confirmed reflux, but to great relief, my vocal cords were only irritated, not permanently damaged. It also turned out (in danger of having doctor creds removed), I had been taking Prilosec incorrectly.
So, I’m singing again. The range is back and doesn’t skip. And yet … this is not voice I had in my thirties and forties. It’s not quite as lush or round. It sounds (gasp!) older. I hear the difference in my recently-recorded CD and am not entirely happy.
These days, I have to work much harder to maintain vocal fluidity and limberness. The passage from chest voice to head voice is not as easily navigated. I have to sing every single day to maintain tone and flexibility.
And yet, there is something I did not have in my thirties and forties — vulnerability and connection. These songs have been lived, revealing both broken hearts and simmering passions.
Now 53, I also believably project sensuality and playfulness. I take myself less seriously and am more confident. I’m not sacrificing the message of the song to attain perfect tone – the phrasing is more conversational. You also hear that on the CD.
This last year has seen the death of a number of friends, most of whom were artists. The world is the lesser for it. I wish I could hear just one more of their songs or see another of their paintings. Yet, here I am, alive, sometimes tempted to stop sharing my gifts out of vanity or perfectionism.
Funny, when singing, my flaws and limitations are forgotten. In that moment, I am a conduit for God or Spirit. I’m lost in the song, creating joy, and often (especially with the elderly) making someone’s day. My audiences connect, and through the music, buried emotions are unearthed. My work matters.
Yes, I am an older woman with an older voice, but I have a compelling story to tell and hearts to touch. Until my audiences stop listening, I’ll keep singing.